Choral Music of the Renaissance

Dr. Jeffrey Richard Carter

 

 

 

Reading List

Fall 2002

 

 

 

Apel, Willi.  Gregorian Chant.  Bloomington: Indiana University Press, 1958.    

ML 3082 .A64

 

Apel, Willi and Archibald Davison.  Historical Anthology of Music.  Vol. 1.  Rev. ed.  Cambridge: Harvard University Press, 1946.      

M 2 .D25 .H5 1949 v.1

 

Benham, Hugh.  Latin Church Music In England, ca. 1460-1575.  London: Barrie and Jenkins, 1977.         

ML 3031 .B46

 

Blume, Friedrich.  Protestant Church Music: A History.  New York: W. W. Norton, 1974.  ML 3100 .B5913

 

Blume, Friedrich.  Renaissance and Baroque Music.  New York: W. W. Norton, 1967.

ML 160 .B655 .R5

 

Bryden, John R. and David G. Hughes.  An Index to Gregorian Chant.  Cambridge: Harvard University Press, 1969. 

MUS REF ML 102 .C45 .B8 v.1-2 (located in the Music Reference section)

 

Bukofzer, Manfred.  Studies in Medieval and Renaissance Music.  New York: W. W. Norton, 1950. 

ML 172 .B9

 

Catholic Encyclopedia.  New York: Robert Appleton, 1907.       

REF BX 841 .C36 (located in General Collection)

 

Einstein, Alfred.  The Italian Madrigal.  3 vols.  Princeton: Princeton University Press, 1949. 

            ML 2633 .E32 1971 v.1-3

 

Garretson, Robert.  Choral Music.  Englewood Cliffs, NJ: Prentice Hall. 

            ML 1500 .G37 1993

 

Graduale sacrosanctae romanae ecclesiae.  Paris: Desclée, 1961. 

M 2148 .C3 .G7

 

Hayburn, Robert.  Papal Legislation on Sacred Music, 95 A.D. to 1977 A.D.  Collegeville, MN: Liturgical Press, 1979.  

ML 3002 .H43

 

Hiley, David.  Western Plainchant: A Handbook.  Oxford: Clarendon Press, 1993. 

ML 3082 .H54 1993

 

Hoppin, Richard H.  Medieval Music.  New York: W. W. Norton, 1978. 

ML 172 .H8  and Anthology M 2 .A5175

 

Kerman, Joseph.  The Elizabethan Madrigal: A Comparative Study.  New York: Galaxy Music, 1962. 

ML 2631 .K47

 

LaRue, Jan.  Guidelines for Style Analysis.  New York: W. W. Norton, 1970.

            MT 6 .L146 G8 1992

 

Liber Usualis.  Tournai: Desclée, 1956.        

M 2151 .L4 (1938, 1947, or 1963)

 

Lowinsky, Edward.  The Secret Chromatic Art in the Netherlands Motet.   New York: Columbia University Press, 1946. 

ML 184 .L72

 

Morehen, John.  English Choral Practice, 1400-1650.  Cambridge: Cambridge University Press, 1995. 

ML 3031.2 .E54 1995

 

New Catholic Encyclopedia.  Palatine, IL: Publisher’s Guild, 1967. 

REF  BX 841 .N44 (located in the 1st floor Reference area)

 

Reese, Gustave.  Music in the Renaissance.  Revised ed.  New York: W. W. Norton, 1959.  Res.  ML 172 .R42 1959

 

Roche, Jerome.  The Madrigal.  2nd ed.  New York: Charles Scribner’s Sons, 1990. 

ML 2600 .R63 1990

 

Strunk, Oliver.  Source Readings in Music History.  2nd ed.  New York: Norton, 1998. 

ML 160 .S89 1998

 

Young, Percy M.  The Choral Tradition: An Historical Survey from the Sixteenth Century to the Present Day.  London: Routledge and K. Paul, 1962. 

ML 1500 .Y7 1971

 

 

 

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Choral Music of the Renaissance

Dr. Jeffrey Richard Carter

 

Reference List

Fall 2002

 

TEXT

 

Brown, Howard Mayer.  Music in the Renaissance.  Englewood Cliffs, NJ: Prentice Hall, 1976.

 

 

PRIMARY REFERENCE WORKS

 

Abraham, Gerald, ed.  The Age of Humanism, 1540-1630, Vol. IV of The New Oxford History of Music.  London: Oxford University Press, 1959. 

Res.  ML 160   .N44

 

Fenlon, Iain, ed.  The Renaissance in Man and Music series.  Englewood Cliffs, NJ: Prentice Hall, 1989. 

Res.  ML 172    .R44

 

Reese, Gustave.  Music in the Renaissance.  Revised ed.  New York: W. W. Norton, 1959.  Res.  ML 172    .R42

 

Strunk, Oliver.  Source Readings in Music History.  2nd ed.  New York: Norton, 1998.  Res.  ML  160     .S89

 

 

OTHER IMPORTANT REFERENCE WORKS

 

Antiphonale sacrosanctae romanae ecclesiae.  Paris: Desclée, 1949. 

Res. M 2150   .R6  1912

 

Apel, Willi.  Gregorian Chant.  Bloomington: Indiana University Press, 1958. 

Res. ML 3082   .A64

 

Apel, Willi and Archibald Davison.  Historical Anthology of Music.  Vol. 1.  Rev. ed.  Cambridge: Harvard University Press, 1946. 

Res. M 2   .D25 .H45

 

Apel, Willi.  The Notation of Polyphonic Music, 900-1600.  Cambridge, MA: Medieval Academy of America, 1953.   

ML 431    .A6 1961

 

Berger, Karol.  Musica ficta: Theories of Accidental Inflections in Vocal Polyphony from Marchetto da Padova to Gioseffo Zarlino.  New York: Cambridge University Press, 1987. 

ML 190    .B47

 

Blume, Friedrich.  Protestant Church Music: A History.  New York: W. W. Norton, 1974.  Res.  ML 3100   .B5913

 

Blume, Friedrich.  Renaissance and Baroque Music.  New York: W. W. Norton, 1967.

            Res.  ML 160    .B655   .R5

 

Bryden, John R. and David G. Hughes.  An Index of Gregorian Chant.  2 vols.  Cambridge: Harvard University Press, 1969.

            REF  ML 102     .C45    .B8

 

Einstein, Alfred.  The Italian Madrigal.  3 vols.  Princeton: Princeton University Press, 1949. 

            Res.  ML 2633  .E32

 

Fellerer, Karl Gustav.  Geschichte der katholische Kirchenmusik.  Kassel: Bärenreiter, 1972. 

            ML 3002   .F312

 

Graduale sacrosanctae romanae ecclesiae.  Paris: Desclée, 1961. 

Res. M 2148   .C3   .G7

 

Hayburn, Robert.  Papal Legislation on Sacred Music, 95 A.D. to 1977 A.D.  Collegeville, MN: Liturgical Press, 1979.  

Res. ML 3002    .H43

 

Hiley, David.  Western Plainchant: A Handbook.  Oxford: Clarendon Press, 1993. 

Res. ML 3082    .H54 1993

 

Kerman, Joseph.  The Elizabethan Madrigal: A Comparative Study.  New York: Galaxy Music, 1962. 

Res.  ML 2631    .K47

 

LaRue, Jan, ed.  Aspects of Medieval and Renaissance Music: A Birthday Offering to Gustave Reese.  New York: Pendragon Press, 1966.

            Res.  ML 55   .R2   .L4

 

LaRue, Jan.  Guidelines for Style Analysis.  New York: W. W. Norton, 1970.

            MT 6  .L146

 

LaRue, Jan.  “On Style Analysis,” The Journal of Music Theory (1962), 91-107.

            Res.   bound periodical

 

Liber Usualis.  Tournai: Désclée, 1956.

            Res.  M 2151    .L4

 

Lowinsky, Edward.  Music in the Culture of the Renaissance and Other Essays.  Ed. by Bonnie Blackburn.  2 vols.  Chicago: University of Chicago Press, 1989.

            Res.  ML 160   .L83

 

Lowinsky, Edward.  The Secret Chromatic Art in the Netherlands Motet.   New York: Columbia University Press, 1946. 

ML 184    .L72

 

Lowinsky, Edward.  Tonality and Atonality in Sixteenth-Century Music.  Berkeley: University of California Press, 1961. 

            Res.   ML 174   .L7

 

Maniates, Maria.  Mannersim in Italian Music and Culture.  Durham, NC: University of North Carolina Press, 1979.

            ML 290.2   .M36

 

Morehen, John.  English Choral Practice, 1400-1650.  Cambridge: Cambridge University Press, 1995. 

Res.  ML 3031.2    .E54

 

Moyer, Ann E.  Musica Scientia: Musical Scholarship in the Italian Renaissance.  Ithaca: Cornell University Press, 1992.

            ML 290.2   .M7

 

New Catholic Encyclopedia.  Palatine, IL: Publisher’s Guild, 1967. 

REF  BX 841     .N44

 

Palisca, Claude V.  Humanism in Italian Renaissance Musical Thought.  New Haven: Yale University Press, 1985. 

            ML 290.2   .P34

 

Reese, Gustave.  Fourscore Classics of Music Literature.  New York: Da Capo Press, 1970.

            ML   160    .R33

 

Roche, Jerome.  The Madrigal.  2nd ed.  New York: Charles Scribner’s Sons, 1990. 

Res.    ML 2600   .R63  1990

 

Sparks, Edgar.  Cantus firmus in Mass and Motet, 1420-1540.  Berkeley: University of California Press, 1963.

            Res. ML 174   .S7

 

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