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Abstracts | ||||||||||||||||||||
| TCOM 204 Students | |||||||||||||||||||||
| Colleen Bormann | Ryan Fields | Wes Flesher | |||||||||||||||||||
| Matt Haas | Richard Klemczewski | Luke Lomax | |||||||||||||||||||
| Matt Mumper | Jonathan Pinnick | Adam Trent | |||||||||||||||||||
| Brad Underwood | |||||||||||||||||||||
| TCOM 307 Students | |||||||||||||||||||||
| Jennifer Cox | Nick Cunningham | Joe England | |||||||||||||||||||
| Jared Hays | Megan King | Brian O'Boyle | |||||||||||||||||||
| Brandon Peters | Chris Ryan | Dustin White | |||||||||||||||||||
| Justin Zukowski | |||||||||||||||||||||
| TCOM 204 | |||||||||||||||||||||
| Colleen Bormann | |||||||||||||||||||||
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Women's Body Image in the Media |
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The media is everywhere and comes in many
different forms. Today, a common form is film and television because it
is visual. Adolescent females grow up in a society that sets an ideal body
image. The media is affecting the way women perceive their own body
image. When a norm is set through society, it sends fear though females
if they are not comfortable with their own self. This is a serious issue
that can trigger an even bigger problem: an eating disorder. In my paper,
I will address the question: "What affect does film and television have on
how young women perceive the ideal body image and how are women who
develop eating disorders represented in dramas?" The media is not
exposing realistic messages, causing negative affects on the young women
who are vulnerable to these unrealistic images. |
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| Ryan Fields | |||||||||||||||||||||
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| Is Television Accurately Portraying African American Males? | |||||||||||||||||||||
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| Wesley Flesher | |||||||||||||||||||||
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| Matt Haas | |||||||||||||||||||||
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| Richard Klemczewski | |||||||||||||||||||||
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The representation of Arab Muslims compared to other groups |
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The war against terrorism is a topical subject
for today's programming. Since the beginning of film, Arabs have often
depicted as terrorists. But are we tougher on the depiction of Arab Muslims
compared to other groups in the past? With media research from the 1940s to
the present, I compare and contrast the content and see if we have learned
from the past and improved in our representation of other ethnic groups. |
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| Luke Lomax | |||||||||||||||||||||
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| Matt Mumper | |||||||||||||||||||||
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African-Americans males have been treated
differently than white males throughout the years. African-Americans have
endured being segregated, the civil rights movement, and the stereotypes
associated with living in the projects. How have African-American directors
portrayed African-Americans throughout these different eras of
African-American history? I will examine Ten Minutes to Live and
Go Down Death from the 1930s and 1940s, which are associated with the
segregation times. Shaft and Sweet Sweetback’s Baad Asssss Song will
be looked at from the 1970s, after the civil rights movement. Boyz N The
Hood and Menace II Society from the 1990s, where the 'gangsta'
image became prominent. The films Bamboozled and Training Day
will be examined from modern times. |
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| Jonathan Pinnick | |||||||||||||||||||||
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| The Representation of Gay Characters Throughout Dramas | |||||||||||||||||||||
A growing number of shows on major networks
are focusing on gay characters. Shows such as Ellen on ABC and Will and
Grace and ER on NBC, have had major characters in the show, if not the
main character(s) portrayed as gay or lesbian. My paper
discusses the differences of representation of gay characters in
different types of dramas. The primary shows I will be focusing on are
ER, NYPD Blue, and Queer as Folk. |
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| Adam Trent | |||||||||||||||||||||
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Representation of the Mentally Retarded in Film |
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| Brad Underwood | |||||||||||||||||||||
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The Evolution of Asian Representation in Film and Television |
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| TCOM 307 | |||||||||||||||||||||
| Jennifer Cox | |||||||||||||||||||||
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| The Traditional Family in Sitcoms | |||||||||||||||||||||
This paper discusses
the traditional family in sitcoms, considering how they have changed and
stayed the same. The paper examines family oriented sitcoms from the
1950s to the present. Shows like Leave it to Beaver, Happy Days, The
Wonder Years, and Home Improvement are discussed. The paper answers
the question, "How much or how little has the traditional family in sitcoms
changed through the decades?" The result is that even though there
have been many changes, the basic structure, feeling and support system is
the same. |
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| Nick Cunningham | |||||||||||||||||||||
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| Playmakers | |||||||||||||||||||||
The
paper examines relationships and behaviors of professional football players
through the artifact of ESPN's new drama, Playmakers, answering the
question, "Does Playmakers represent the same male bonding that occurs in
professional football and do the characters of Playmakers represent
professional athletes with drug issues?" The paper supports
Playmakers' representations of male bonding and professional athletes with
drug issues to an extent. |
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| Joe English | |||||||||||||||||||||
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| The Expanding Role of Law Enforcement Officer’s Personal Lives in Police Dramas | |||||||||||||||||||||
The
paper examines police dramas with a focus on the portrayal of law
enforcement officers’ personal lives. The artifacts used are Dragnet and
NYPD Blue. The paper answers the question “Do police dramas from
television’s past such as Dragnet, accurately depict police officers’ lives
outside the precinct in comparison to present day dramas?” The result
suggests that while officers’ personal lives are virtually nonexistent in
early police dramas, present day dramas rely heavily on personal lives for
plots and show the human error involved in police work. |
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| Meagan King | |||||||||||||||||||||
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| African Americans Reign in Television | |||||||||||||||||||||
This
paper examines diversity in family oriented sitcoms, using “The Goldbergs”,
“Amos ‘n Andy”, “Julia”, “Good Times”, “The Cosby Show”, “My Wife and Kids”
and many others. Production of diverse family-oriented sitcoms has shown
only one ethnic group at a time. This paper supports the belief that the
majority of the diverse family-oriented sitcoms lack diversity. |
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| Brian O'Boyle | |||||||||||||||||||||
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| Police Representation on Television Police Dramas: Creativity or Reality? | |||||||||||||||||||||
This
paper examines police dramas through such shows as Dragnet, Hill Street
Blues, and The Shield to discover a direct correlation between the
representation of police officials in such shows and society’s views on
policing. |
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| Brandon Peters | |||||||||||||||||||||
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| Police Officer and Perpetrator Relationships | |||||||||||||||||||||
The
paper examines TV police dramas with a focus on the relationship between the
police officer /detective and the perpetrators from the 1950s to the
present. The artifacts researched are episodes of Dragnet, Highway Patrol,
Hawaii, Five-O, Ironside, ChiPs , Kojak, Hill Street Blues, Miami Vice, NYPD
Blue, and The Shield. The question asked is, “From where did the gradual
disrespect between police partners derive? The result is to push the limits
of television to attract viewers by fulfilling their desire to see more
violence and adult-oriented crimes. |
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| Chris Ryan | |||||||||||||||||||||
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| Analysis of Playmakers | |||||||||||||||||||||
This
paper examines sports programming through the television show “Playmakers”.
The paper tells us how accurately family life and family structure on a
professional football team are portrayed. The results show that
“Playmakers” does a good job of representing certain family issues that
affect football players. Also, it depicts a family structure within the
team that is similar to that of a real professional football team. |
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| Dustin White | |||||||||||||||||||||
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| Non Traditional Families in Television Sitcoms | |||||||||||||||||||||
This
paper discusses family sitcoms with an emphasis on nontraditional families.
Shows analyzed are The Andy Griffith Show, The Brady Bunch, Who’s the Boss,
Full House, and Friends. The question this paper answers is “What does TV
tell us about nontraditional families?” Results suggest nontraditional
families work just as well as nuclear families. |
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| Justin Zukowski | |||||||||||||||||||||
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| Police Partnerships | |||||||||||||||||||||
Partnerships
in television police dramas changed over the past five decades. This paper
examines police partner relationships in Dragnet, CHiPs, Hill Street Blues,
NYPD Blue and The Shield, beginning with the focus on formality to today’s
interpersonal relationships. This suggests that television writers have
changed their focus since the 1950s. |
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